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100% pre-shrunk cotton, permapress and colorfast. A tightly woven lustrous cotton made in plain weave with a fine rib in the direction of the filling. The filling yarn is heavier and has less twist than the warp yarn. The cloth is usually mercerized, and
100% pre-shrunk cotton, permapress and colorfast. A tightly woven lustrous cotton made in plain weave with a fine rib in the direction of the filling. The filling yarn is heavier and has less twist than the warp yarn. The cloth is usually mercerized, and
100% pre-shrunk cotton, permapress and colorfast. A tightly woven lustrous cotton made in plain weave with a fine rib in the direction of the filling. The filling yarn is heavier and has less twist than the warp yarn. The cloth is usually mercerized, and
100% pre-shrunk cotton, permapress and colorfast. A tightly woven lustrous cotton made in plain weave with a fine rib in the direction of the filling. The filling yarn is heavier and has less twist than the warp yarn. The cloth is usually mercerized, and
100% pre-shrunk cotton, permapress and colorfast. A tightly woven lustrous cotton made in plain weave with a fine rib in the direction of the filling. The filling yarn is heavier and has less twist than the warp yarn. The cloth is usually mercerized, and
100% pre-shrunk cotton, permapress and colorfast. A tightly woven lustrous cotton made in plain weave with a fine rib in the direction of the filling. The filling yarn is heavier and has less twist than the warp yarn. The cloth is usually mercerized, and
A synthetic (polypropylene) substrate is born with a non-porous surface that repels water. YUPO® gives visual artists an amazingly beautiful canvas to work with. Its bright white, smooth finish gives artists the flexibility to work in several different me
Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors. Mac
Stonehenge rivals European mould made papers with its ability to produce excellent results in a variety of printmaking techniques. In addition to intaglio and silkscreening, Stonehenge works well with colored pencil, charcoal, pastels and watercolors. Mac
Somerset is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. In the early 1990’s, working together the mill, and based on demands of the printmaking community, we helped ta
Somerset is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. In the early 1990’s, working together the mill, and based on demands of the printmaking community, we helped ta
Somerset is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. In the early 1990’s, working together the mill, and based on demands of the printmaking community, we helped ta
Somerset is a very popular grade of printmaking paper from the historic St. Cuthbert’s Mill in the UK, first introduced in the early 1970’s. In the early 1990’s, working together the mill, and based on demands of the printmaking community, we helped ta
Saunders Waterford is an exquisite English watercolour paper, traditionally made on a cylinder mould machine. The appeal of this mould made paper is the stunning texture created using natural woolen felts, and the wonderful surface stability created b
Rives de Lin, literally Rives of Flax, is a mould made, acid free and buffered sheet containing 85% cotton and 15% linen. The linen content is identified by the three flowers of flax in its watermark. It has the look and feel of a handmade paper with
If you're looking for sharp and vivid images, then Lasal is the product family for you. Lasal Exhibition Luster weighs in at a healthy 300gsm. Ideal for gallery and exhibition prints, the new fourth-generation coating ensures the highest possible d-ma